"What does this have to do with your post, Vanessa?" Nothin. I just like it.
Everyone in my life seems very content: J without H, Babay with V, Finnie with her new job!, my sister with her new car...
I am too.
"What does this have to do with your post, Vanessa?" Nothin. I just like it.
Everyone in my life seems very content: J without H, Babay with V, Finnie with her new job!, my sister with her new car...
I am too.
In any case, interesting curatorial choice and a bang-on case study for the DOCAM project. This is because Clark did a lot of performance art, which obviously has a life span, and is kind of difficult to present in a retrospective. Fortunately, I mean fortunately if you like his stuff, he was into film, video and photography, and with his descriptions, it is possible to get a sense of what happened at a performance, even if the atmosphere of the performance is lost. Although, he writes stuff like "This is the first appearance of the leather gauntlet," but with no explanation as to why this weird thing got incorporated into his art.
DAY- Int.
VANESSA (V.O.)
I see you!
OSCAR
(smiles and gurgles)
VANESSA (V.O.)
Now I don't...I see you!
CHRISTINE (V.O.)
Monkey! Time to eat?
OSCAR
(distracted, looking away)
VANESSA (V.O.)
He's only got eyes for you.
CHRISTINE
He's only got eyes for the boob. And me.